Peter Varshavsky

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Mercury Falls - Spring Pools

March 27, 2014 by Peter Varshavsky in Porto Franco Files, Music Videos, Music

I've always had a hard time describing the music of Mercury Falls. The labels prog rock, ambient jazz, and fusion all fit, but I generally don't like music that falls in those categories. This band I've loved ever since Patrick gave me a copy of the yet unreleased master of Quadrangle, Mercury Fall's debut album that we put out on Porto Franco Records in 2010. Due to their bicoastalism, it wasn't until February 2014 that I finally pinned MF down at their practice studio in Oakland and got some music on proverbial film (film was digital, but I'm pretty happy with how silvery the end result turned out). Since recording Quadrangle, Roger Riedlbauer and Sam Bevan (who will soon be featured in a duet video with Meklit) filled the respective musical shoes of Ryan Francesconi and Eric Perney. Watch out for the intricately woven textures of Tim Bulkley's drum work and the looped alto saxophone harmonies. This song gets pretty big in no small part thanks to Myles Boisen, who managed to get my recording to sound far better than I ever would.

Personnel and credits:

Composition by Patrick Cress and Ryan Francesconi
Patrick Cress: alto sax + pedals
Roger Riedlbauer: guitar
Sam Bevan: bass
Tim Bulkley: drums
Mixed by Myles Boisen

March 27, 2014 /Peter Varshavsky
Patrick Cress, Ryan Francesconi, Mercury Falls, Roger Riedlbauer, Tim Bulkley, Sam Bevan, Myles Boisen, Prog Rock, Ambient, Oakland, Rehearsal, Porto Franco, Porto Franco Files
Porto Franco Files, Music Videos, Music

Melford, Bennink, Goldberg & Oliver play Misha Mengelberg

March 10, 2014 by Peter Varshavsky

In January 2014 I found myself at 4 shows and one studio session featuring Ben Goldberg. I think I taped all five. I'm slowly working through the footage and will post some more this Spring.

Walking into Duende on January 23, I didn't know what musical direction the group would take. I first heard of Myra Melford and Ben Goldberg when they independently collaborated with The Nice Guy Trio in 2008, but I hadn't heard of Mary Oliver or Han Bennink, so I was in for a treat. In love with all the emotion Han wrings out of his drum set before settling into the hard driving swing in the second part of the tune.

I should have miked the piano. I didn't. I apologize.

March 10, 2014 /Peter Varshavsky /Source
Ben Goldberg, Myra Melford, Mary Oliver, Han Bennink, Live, Duende, Jazz, Oakland, Music, Misha Mengelberg, Porto Franco